It’s been posited that the same union ban that kept The Kinks from touring the U.S. and hurt them commercially during their peak powers from 1965 to 1969 also enabled songwriter Ray Davies to explore his Englishness on a string of now-classic albums, including one coming up on its 50th anniversary. Davies is rightfully recognized as one of the greatest songwriters Britain has ever produced, and the records he and his band created in the ‘60s and beyond are some of the finest in the pop canon. But for a fan, ranking them is like choosing favorites among favorites. Still it has to be done.
Related: “Ray Davies’ Blessing of ‘Americana'”
10. Give the People What They Want (Aug. 1981)
The Kinks 18th studio album reveals a band on a mission. “Around the Dial,” “Add It Up,” and the titular tune all crackle with the energy of the bands they inspired like The Clash, The Stranglers and The Jam. “Destroyer,” which references a few of their earlier hits, lets the burgeoning MTV generation know The Kinks never really went away. We just needed to catch up.
9. Low Budget (Jul. 1979)
What’s not to like about The Kinks’ take on late-‘70s malaise as well as their return to punchy rock that began with Sleepwalker (1977) and Misfits (1978). “Attitude” sneers at the Me Decade; “Pressure” channels early rock n’ roll energy. Buoyed by the title track and “(I Wish I Could Fly Like) Superman,” the LP just missed making it into the U.S. Top 10 by one.
8. Kinda Kinks (Mar. 1965)
You might wonder why the band’s sophomore effort makes my list but their eponymous debut doesn’t. Sure they both have one breakout hit (“You Really Got Me” and “Tired of Waiting For You”) but when you dig deeper, the debut peaks with “Stop Your Sobbing” while this one has “Nothin’ Gonna Stop Me Worrying About That Girl,” “Come On Now” and the plaintive “So Long.” The numbers are in number two’s favor.
7. Muswell Hillbillies (Nov. 1971)
Ray and company further mine Americana on this one. “Acute Schizophrenia Paranoia Blues” and “Alcohol” evoke New Orleans, while the title track is pure country honky tonk. Ray’s Marc Bolan warble — also evident on earlier tracks like “King Kong” and “Apeman” — is in full effect on “20th Century Man,” “Here Come The People In Grey” and “Lavender Lane” which was re-issued on 2011’s Legacy Edition and frankly sounds like Mungo Jerry covering “Waterloo Sunset.”
6. Lola Versus Powerman and the Moneygoround, Part One (Nov. 1970)
Given their mid-‘60s run-ins with industry types, it must have been sweet justice that Lola — which satirizes and skewers the record biz — produced their biggest chart success in five years. Credit AOR faves “Lola” and “Apeman,” but don’t miss out on deeper cuts such as “Get Back in Line,” “Strangers,” “This Time Tomorrow,” and “Powerman” (one of the finest Kinks rockers on record).
5. The Kink Kontroversy (Nov. 1965)
This mid-decade release finds Ray and the boys transitioning from their rough-and-ready “You Really Got Me” period to more thoughtful and sophisticated songwriting. “Till The End of the Day,” “The World Keeps Going Round,” “Where Have All the Good Times Gone” and “Dedicated Follower of Fashion” are all gems. As transitions go, pretty smooth.
4. Face to Face (Oct. 1966)
Leave it to Ray Davies to pen a song called “Sunny Afternoon” that’s world-weary rather than cheery (like, say, McCartney’s “Good Day Sunshine”). Other standouts include Indian-flavored “Fancy ” and introspective “Too Much On My Mind,” featuring session man extraordinaire Nicky Hopkins on harpsichord. As with Something Else’s “Autumn Almanac,” the stellar “Mr. Pleasant” was released only as a single, even though it was recorded during these sessions.
3. Arthur or the Decline and Fall of the British Empire (Oct. 1969)
This follow-up to Village (see below) views the sunset of the British Commonwealth through fictional everyman Arthur Morgan. Baroque pop and music hall abound on “She’s Bought a Hat Like Princess Marina” and “Some Mother’s Son,” while mid-‘60s Kinks grit returns on “Brainwashed” and single “Victoria.” “Mr. Churchill Says’” presages the earthiness of “Lola” while “Shangri-La” — which perfectly captures late-stage Empire ennui and discontent — is the album’s crowning achievement.
Related: “Appreciating the Kinks’ Veddy, Veddy British Period”
2. The Kinks Are The Village Green Preservation Society (Nov. 1968)
Ray Davies’ paean to his homeland’s disappearing way of life is also a lament for his lost innocence: the yearning for pastoral bliss (“Village Green,” Sitting by the Riverside” and “Animal Farm”), the struggle not to lose himself in the blush of fame (“Starstruck,” “Do You Remember Walter?”), the rush of every day (“People Take Pictures of Each Other”), and the stoic resignation of “Days.” Masterful.
1. Something Else (Sep. 1967)
“David Watts.” “Two Sisters.” “Lazy Old Sun. “Harry Rag.” “Situation Vacant.” Nothing feels throwaway here. Even bossa nova-tinged “No Return” is a keeper. All three Dave Davies contributions are strong, especially Dylan-inspired “Death of a Clown.” Ray’s “Waterloo Sunset” is one of the finest in The Kinks’ or anyone else’s repertoire. “Village Green” was recorded during these sessions (but held over for their next LP), as was the novelistic “Autumn Almanac,” released as a non-album single. Talk about an embarrassment of riches!
Photo Credit: KINKS; L-R: Dave Davies, Ray Davies, Mick Avory, Pete Quaife (Photo by GAB Archive/Redferns/Getty Images)
Great list – except STATE OF CONFUSION should rank in the top ten somewhere-Im a fan since the beginning in 1964 but not dedicated until Kinks Kontroversy was released late in 65 – one of my all time favorites to this day – Ive been playing a lot lately AROUND THE DIAL such a great non hit song – it may have been an underground favorite, not sure. Thanks for your review. GSTK
Rock critics don’t like the later Kinks stuff – they think it was too blatantly commercial, boring, predictable. SOC would be top of my list.
The list is perfect but I would flip one and two. But why quibble? Tough choices given the Kinks body of work. Makes me want to dig out the CD’s and give another listen.
Hey Lanny, thank you and cool to hear from another longtime fan. I, too, love “Around The Dial.” And “Cliches of the World (B Movie) from STATE … is one of my favs. Ray throws himself into that one with so much gusto, vocally.
Thanks George. Yeah, I want to say this was a tough assignment, but who am I kidding? I got to fully immerse myself in their catalogue in a way that I don’t do often enough (even as a fan!).
What — no Word Of Mouth? No Phobia?
Rock critics don’t like the latter day Kinks albums. Personally, I love the 2 you mentioned.
The Great Lost Kinks Album featuring many outtakes are as good as any regular album songs…Also gotta love Schoolboys in Disgrace, where they returned to a more rocking sound to finish off their concept album period
grEAT LIST..I WOULD PUT SOMETHING ELSE ON THE TOP TOP ALSO. i do looove State Of CONfusion..and also EVERYBODYies in SHOWBIZ!! personally..THE kiNKS are great on every album..they always seem to have atleast 2 or 3 radio hits on each. .even pres act 2 had a few good ones..artificial man..money talks..mirror of love. GOD SAVE THE KINKS!!!
Any list without “I’m not like everybody else” from the Great Lost Kinks Album, “A well respected man” and “Dead end street” is incomplete. IMHO they are Ray’s best ever tunes.
Good list, though LOW BUDGET had a short play time around our house. We played EVERYBODY’S IN SHOWBIZ and SCHOOLBOYS IN DISGRACE a whole lot more than LOW BUDGET. IMO LOW BUDGET was a deserving hit but, song by song, it’s less interesting than anything on SCHOOLBOYS and SHOWBIZ.
I usually hate Rolling Stone’s lists, but they put out a better Kinks list recently. Face to Face belongs at the top.
I would include “Sleepwalker” and “Misfits” – of the later albums, I think they were the most Kinks-y!