The True Impact of Spotify

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iPhone and earplugs (Public Domain)
If you’re a music lover, read on… I’m always on the hunt for new music and I continue to explore the world of online music. I was an early user of Pandora and have found lots of new musicians that I wouldn’t have heard since the demise of record stores with listening stations. [amazon template=left aligned image&asin=B0195274MA]But Spotify, and Apple Music, takes free listening to a whole new level. You can find and listen to complete albums – with ads if you don’t subscribe and without if you pay the monthly fee.

I’ve seen a number of fantastic concerts in the last couple of years: Rhiannon Giddens, Patty Griffin, Arlo Guthrie, Daniel Lanois, Bela Fleck and Abigail Washburn, David Bromberg and even Barry McGuire (remember – “Eve of Destruction!”). And lots more I’ve missed.

Now, I’ve started to wonder if I’m hurting the very musicians whose music I want to support by using Spotify? If I can find it on Spotify, why buy it? If we don’t buy it, will they be able to continue to make new music? [amazon template=right aligned image&asin=B00F5NE2KG]On one hand, Spotify allows me to find lots of music — new music, old music I haven’t heard in many years and other music from artists I like but hadn’t heard. For example, after Ornette Coleman passed away, I was able to find many of his albums and get re-introduced to his music. Same with Jean Ritchie.

On other hand, it’s so easy to use Spotify that I might be shortchanging the artists I want to support.

So, I decided to email directly one of the artists whose music and politics I admire a great deal. It was a cold email across the transom and I didn’t know if I’d get a response.

I got a response just a few days later that’s worth sharing. Here’s the response:

“The short answer is this – the best way to support the musician financially is to buy their CD at their show; next is through online and real world record shops. A distant last is Spotify – the revenue is negligible. What I do is research with Spotify and figure out what I really want, and then I go buy it, either on iTunes or at the show; it can be a great tool to discover music. But can we live off Spotify? Definitely not. That’s my two cents as a full-time musician!”

My response: That’s exactly what I’ll do.

– Donald Cohen

Editor’s Note: This post first appeared on The Huffington Post.

Photo Credit: Public domain image of smartphone with earplugs.


Spread Love
Donald Cohen

Donald Cohen

Donald Cohen is a long-time organizer for social justice who is always on the hunt for great music. An early Dead-head he’s moved on to exploring today’s new music (from folk to indie to blues to whatever Alabama Shakes and Lake Street Dive do) – a decade he thinks is the best era in music since before disco. In his spare time he is helping to develop the Autism Creatives Collective, a community of talented creative writers, artists and musicians on the austistic spectrum who support each other in their creative endeavors. During the day, he runs a non-profit think tank called In the Public Interest. His opinion pieces and articles have appeared in the New York Times, Reuters, the Los Angeles Times, The New York Daily News, The New Republic, and other online and print outlets.

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