Tommy Roe: Innocent Times, Guilty Pleasure

tommy roe

Back in the late 1960’s days, many a music critic would dismiss “bubblegum music” as songs geared for naive teenage ears. Some of the song titles read like they belong on a daycare center’s playlist: “Simon Says,” “1-2-3 Red Light” and “Chewy, Chewy.”

 The Top 10 Bubblegum Hits

But some of these teenagers grew to be adult musicians who became critics’ darlings. These include the Ramones who coolly covered  1910 Fruitgum Company’s “Indian Giver.”  The Cars’ intro to their “Just What I Needed” sounds suspiciously like the opening to Ohio Express’ “(Yummy, Yummy, Yummy) I Got Love in my Tummy.”  And in their early live sets, the Talking Heads would cover the Fruitgum Company’s “1-2-3 Red Light.”

A batch of bands and songs were unabashedly bubblegum, with Buddah record label producers Jerry Kasenetz and Jeff Katz having coined the phrase. Tommy Roe, who placed 22 singles on the American charts, initially didn’t dig this label sticking to him: “At first, I resented the name ‘bubblegum.’  I thought it was a negative thing.  But I followed [his hit ‘Sweet Pea’] up with ‘Hooray for Hazel’ that was also a big record.  It was another bubblegum record.  And so I just embraced it and ran with it.”

His song “Dizzy” ran all the way up to #1 in the Billboard charts for four weeks in 1969. But “Dizzy” wasn’t the first sweet taste of success for this Cabbagetown (a working-class section of Atlanta) native. His 1962 number one hit, “Sheila,” sounds as if he had a séance, successfully contacted Buddy Holly, and had him hiccup into a microphone. This excellent sound-a-like tune caught the attention of four Holly fanboys: the Beatles.

The Liverpudlians opened for Roe and Chris Montez on a March 1963 English tour, only for Roe to graciously realize that he should open for them.  Sensing the beginnings of Beatlemania, Tommy tried to get the lads an American record deal on his ABC-Paramount label only for a label rep to call the Beatles’ demo “the worst piece of crap I’ve ever heard” and tell Roe to leave finding talent to the label.

The next year, Roe was serving a stint in the Army Reserves and saw that the musical times were a-changing: “While I was in the service, I was thinking…when I get out, I’ve got to go back into the studio. What am I gonna do that will be different, that can compete with all these British acts?  So I came up with the idea—I called it “soft rock.”

He also came up with “Sweet Pea” which features a funky, stop-and-start drum break that has been sampled 112 times, with genres ranging from rap (Cypress Hill’s “Lick a Shot”) to rock (“Rush” by Mick Jones’ Big Audio Dynamite).  Tommy’s hit soared to #8 in the charts in 1966 which is the second highest charted song with a vegetable in its title (“Green Onions” peaked at #3 in 1962 for Booker T. and the MGs).

The bubblegum formula served him and his bank account well, in great part thanks to “Dizzy” which sounded like he was singing a simple song but, as Tommy explained: “‘Dizzy’ is a very complicated pop song, musically.  It changes key eleven times with a lot of modulations.”  In 2019, USA Today published the 100 Best Songs in History and had “Dizzy” at #91.

For a spell, the record-buying public was hungry for any Tommy Roe release—especially one with a food connotation in its title like “Jam Up, and Jelly Tight.”  Roe’s dad would use the expression when he saw a pretty woman walking down the street.  Tommy recalled: “He’d see a pretty girl and he’d say, ‘Son, that gal’s jam up and jelly tight.’  Southerners are famous for their anecdotes and expressions, and jam up and jelly tight was one of those Southern expressions. It comes from the old days, when they would can jams and jellies in the South. When they finished, they would say, ‘Everything’s jam up and jelly tight.’”

Today, Tommy is happily retired and has been seemingly inducted into every hall of fame including the Rockabilly Hall of Fame, the Georgia Music Hall of Fame, and the Iowa Rock and Roll Association Hall of Fame…but not the Rock ‘n’ Roll Hall of Fame, an institution that doesn’t mind low brow behavior but is too high brow for a guy who had 22 “bubblegum” tunes on the charts.  Maybe the R&R Hall of Fame will build a pink building called the Bubblegum Music Hall of Fame* next door with the asterisk denoting: *(Not really rock ‘n’ roll…but close enough).

-Mark Daponte

Photo: Tommy Roe (Publicity photo, ABC/Dunhill Records)

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Mark Daponte is a copy/blog writer for an advertising company and has published/sold four short stories, three full length screenplays, nine short screenplays (including two animation scripts) and punches up screenplays—because they don’t punch back. He has had six short comedic plays performed by various theater companies, including one in Los Angeles, (Sacred Fools) and Sacramento, CA (Sacramento Actors Theater Company). When he isn’t sinking down to a thirteen-year-old’s level to make his teenaged sons laugh, he can be found seeking signs of intelligent life in his hometown of Brooklyn, NY.

4 comments on “Tommy Roe: Innocent Times, Guilty Pleasure

  1. For my $$$ 1973’s “Working Class Hero” transcends. Achingly beautiful ode to the backbone of America. This one clearly matters to Roe.

  2. Interesting story. Thx.

  3. Mark Welsh

    Crunch up the guitar and take the keyboards out and you get an early punk sound. No wonder the Talking Heads and Ramones got it. Dizzy was 8th grade, so I was a prime demographic for bubblegum. Still love it to this day. Lacy lilting lyrics like “Rice is nice, that’s what they say, rice is nice, throw some my way.” Great stuff.

  4. Everybody was a great Roe single from the Sheila era (I think).

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